Loro 2 (2018)

It is the moment of confrontation: between Silvio and Ennio, an entrepreneur from the northeast who witnessed the first ascent of Berlusconi, between Silvio and Sergio Morra, between Silvio and Cupa Caiafa, between Silvio and Veronica. At the center there is always Him, projection of the hopes of redemption of those (and those) that surround him, material incarnation (and impudently materialist) of dreams of (almost) everyone. Loro2 is confirmed as an eternally reflecting surface, like the chromed font in which the title is engraved on the posters. And its inane aesthetic visually conveys a void so full of itself that it appears as a perfect whole, pure matter deprived of all semblance of spirit.